Showing posts with label Mean Girls. Show all posts
Showing posts with label Mean Girls. Show all posts

Wednesday, 27 April 2011

Did anyone watch Lindsay on Jay Leno this week? I'm such a ridiculous sentimentalist I still feel a little misty when I see Lindsay Lohan movie pre-Herbie Fully Loaded (and Bobby). I still stand by belief that Lindsay could be a great actor if she tried, but with all the terrible publicity recently that seems incredibly unlikely. Of course, though, she was on talking about her plans to turn her life around what and it does seem sincere, but I guess I can't be blamed for being less than certain about where that's going to go. Hopefully she gets back on track and in the next few years she can actually turn out a great performance.
        
For now, I'll placate myself with Lindsay back in the day.
         


Saturday, 8 May 2010

Lacey Chabert’s Gretchen is easily the most forgotten Plastic. I can’t pick favourites when it comes to the four, they each have their strong suits, but my mind often wanders to Lacey and her delightful misguided Gretchen. She hasn’t gone on to greater things like I’d have expected, but this particular scene is a testimony to her talents – more a monologue, than a scene.
       
It occurs immediately after that fateful performance of “Santa Baby” where Gretchen’s nervousness is at its worse. It culminates with Rachel McAdams excellent line reading of “Gretchen, stop trying to make fetch happen. It's not going to happen!” which segues into this scene particular scene.
            
She starts off normal enough,
Why should Caesar get to stomp around like a giant while the rest of us try not to get smushed under his big feet?
Okay, perhaps it’s not completely normal but Lacey sells it and we know she’s talking about Regina, but I’m thinking about Caesar and Regina in tandem, her argument is completely convoluted.
What’s go great about Caesar? Hmmm?
I like the surprised look Lindsay gives here. She’s playing them all, but I think even she didn’t see Gretchen cracking like this. 
Brutus is just as cute as Caesar. Brutus is just as smart as Caesar…
I think this is the turning point, and Gretchen is so absorbed in her “essay”, we’ve never seen her so completely focused in the film yet.
People totally like Caesar just as much as they like Caesar. And when did it become okay for one person to be the boss of everybody. Huh?

Lacey is only getting better as Gretchen descends into craziness. My favourite line of the monologue comes with…
Because that’s not what Rome was about.
It’s pathetic really, because that’s precisely what the plastics (Rome) are about, but Gretchen is being crushed by Regina, so her desperation is understandable as she projects herself on to Shakespeare. Kudos to Tina Fey for working this magic…and then the dénouement –
We should totally just stab Caesar!!!!!
Classic.
      
Disclaimer: I’m a feeling bit lazy at the moment, so this scene is a little bit of a repost.

Tuesday, 2 February 2010

Comic relief is usually a good way of becoming a remembered in films, but comic relief in a comedy that’s already funny is no guarantee that you’ll be remembered. I’m not sure if I’m the only one who remembers this entry, but I know quite a few who don’t. Unfortunately so, since she’s a top notch comedienne. So, here’s a look at a funny lady who’s become forgotten:
                     
Amy Poehler in Mean Girls
As Mrs. George
                
Amy Poehler is too young for the role of Rachel McAdams’ mother; that much is obvious. However, in Mean Girls with the aid of a fake breasts and a plastic-like makeup we have her transformed - kind of. We first meet her on our visit to Regina’s house where she brings drinks to the Plastics and Cady. An apprehensive Cady asks if any liquour is involved to which Poehler deadpans: No. What kind of mother do you think I am? Do you want some though? Because if you’re going to drink, I’d rather you do it in the house. Cady smiles dubiously and we can’t help but laugh. As an SNL stalwart Amy is notorious for her comedic timing. However, her speaking lines are not what sell me on her character - it's her expressions. At the Christmas concert as the Plastics do their annual dance of Jingle Bell Rock, the camera alternately cuts to Amy in the aisle dancing in tandem – every gyration, every twist of the hip. It is one of the funniest moments of Mean Girls and it works because we completely believe that this woman is living vicariously through her daughter and friends. It’s as she tells them, You keep me young.
               
Do you remember Amy? Or did all the funniness in Mean Girls obscure her

Sunday, 24 January 2010

I’ll just bite the bullet now. I’m a fan of Lindsay Lohan. She’s definitely hitting a rough patch, but in her heyday she showed the promise of becoming one of the more talented performers of her time. It’s not often that a teen movie makes you think as much as it makes you laugh, and it’s not often that a modern teenage film about girls can be smart enough that it doesn’t turn into a chick flick. But, there is always that one special one and for me Mean Girls is that one.
                          
I figure a good deal of my early appreciation of Mean Girls derived from my teenage lust appreciation approval for Lindsay Lohan, however that doesn’t distil the goodness of the film.; both as a cinematic treat and a teenage experience. I have two older sisters, so my repertoire of light [and often senseless] teenage films is not exactly sparse. I’ve seen Bring It On  which is fine[and the dreadful sequels] more often than I’d care to admit, many of Julia Stiles’ and Lindsay’s and even some Hilary Duff [not too much, thankfully], Cruel Intentions, The Hot Chick and on and on and on.

Generally, I like to think of Mean Girls as the best of its kind. You may think me blasphemous, but I see no reason why it couldn’t have gotten some love from the Academy. As much as I love my AMPAS, [or used to]  I have to admit that a film’s reception often depends on momentum. Sure they weren’t in competition against each other, but having a teenage film like Juno up for laurels and Mean Girls not even getting a screenplay nomination seems awfully backward. But I digress. Big surprise. Back to Mean Girls. As someone who’s generally reticent about Tina Fey I have to applaud her effective writing of Mean Girls, not just by teen films’ standards – but generally. The script is riddled with quotable line after quotable, Gretchen's breakdown and the catch-phrase that's so fetch. It's just funny moment after funny moment, and the cast is more than up for it. Lindsay, Rachel McAdams, Lacey Chebert, Amada Seyfreid, Amy Poehler, Tim Meadows, Lizzie Caplan and even Tina Fey doing her non acting schtick, are all on point here.
              
Mean Girls is a film that works well for males as well as females; for adults as well as children. In its own way it’s little intricacies are just as fulfilling as any serious film. Okay, I’ll level with you. Mean Girls isn’t the best acted, best directed or best written film. But we can’t all be! It’s a good watch. It’s satisfying and funny, but it’s real and serious. It’s thought provoking but never moralistic. What more could you want in a comedy? My name is Andrew, I’m a straight guy – and I like Mean Girls. Perhaps I should be in therapy, but tt’s my #80?
               
Am I alone on this one, or can you appreciate the loveliness?

Monday, 31 August 2009

Excerpt

 
Why should Caesar get to stomp around
like a giant while the rest of us try not to
get smushed under his big feet? What's so 
great about Caesar, hmmm? Brutus is just
as cute as Caesar, okay. Brutus is just as
smart as Caesar. People totally like Brutus
just as much as they like Caesar. And when
did it become okay for one person to be the
boss of everybody? Huh? Because that's not
what Rome was about. We should totally just
stab Caesar!!!
                                                              
Damn right, Gretchen.  
                      

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