Showing posts with label The Devil Wears Prada. Show all posts
Showing posts with label The Devil Wears Prada. Show all posts

Tuesday, 6 July 2010

Yes, I'm back with this again. It's really a never ending feature, though I wrapped up with my favourite casts, actors, actresses, music and costumes the sky is the limit and there's more I could ruminate on...and with nothing to do, why not?
           
Dan’s own list has inspired me to revisit my Decade in Review feature. I did have some categories I didn’t touch on, and what better time to reassess? The question of memorable characters is a tough one…my guess is as flawed as yours, but here goes…what makes them memorable for me? It’s not really the performances, though I’d say each performer does a good job. It’s really about how ready I am to recall the character as a complete entity with just the slightest hint – like a key phrase…or an article of clothing, a wisp of hair or an important weapon.
                

#10: Hans Landa (played by Christoph Waltz)
Key Token: Proficiency in language (and other things) which is, naturally, “a bingo”
See how objective I am? Though I’m neither here nor there on Inglourious Basterds, I’m not so fickle to leave Waltz’s Landa off the list. It’s difficult with recent characters to decide whether or not they’ll endure, and I suppose there’s a possibility he won’t. I was tempted to put Helen Von Bismarck on the list instead of him, but I knew that was just nepotism for Kruger’s excellent performance and not really any objective longevity precipitated by her character’s brilliance.
          
#9: Tom Stall (played by Viggo Mortensen)
Key Token: The gun (but, of course)
I find it so difficult to believe this man has been acting since the mid eighties. He just burst on to the scene with The Lord of the Rings and has just been improving consistently. Still, it’s this 2005 performance that stands above his other creations (and above a majority of actors). It’s two men, and yet it’s one man. They’re both deliberate, they’re both smart and they both have a way with guns.
           
#8: The Bride (played by Uma Thurman)
Key Token: The costume
Yes, Tarantino again. Ironic, since I’m less than fond of him. I will admit that I consider Kill Bill to be his strongest venture and a considerable amount of that lies in Uma’s Bride. Of course it’s more than Uma’s performance; the Bride has just endured as one of those iconic characters – from the jumpsuit, to the moves to the van.
        
#7: Sweeney Todd (played by Johnny Depp)
Key Token: The hair
Apparently the tuft of white hair was Depp’s decision, which doesn’t surprise me. From the guttural growl to the permanent scowl it’s all very individual (and judging from the videos I've seen unlike any characterisation of Sweeney Todd before). Depp is not as unoriginal performer as many have decided.
                    
#6: Bill the Butcher (played by Daniel Day Lewis)
Key Token: The voice
Perhaps it’s because I have not internalised There Will be Blood as much as Gangs of New York or perhaps it’s because Bill’s bloody ways scare me more than Plainview. Either way, I consider this to be Day Lewis’ most iconic role. The violence, the determination, the patriotism – no matter how misguided, and of course that voice. He played a lover, and then a butcher (both excellently) – I want a third Scorsese pairing.
           
#5: Satine (played by Nicole Kidman)
Key Token: The hair
Nicole back when she was a redhead. I was tempted to note the pale skin, or her long legs or perhaps even her voice but it’s the long red tresses that remind me of Satine the most...and I just love that look on Nicole's face above.
         
#4: Jack Sparrow (played by Johnny Depp)
Key Token: Drunkenness
A bit of an obvious choice, but that’s why it’s iconic.
          
#3: Miranda Priestley (played by Meryl Streep)
Key Token: “That’s all”
Oh, Streep. Her ubiquity exasperates me, but she was served up a delicious role here and milked it for all it was worth. I do love my comedy subtle and though she’s not my favourite performance in the film, she is the character we return to time and time again. Whether we remember her well tended hair, her immaculate wardrobe or her imperious glance, she was a true woman of the ages. That’s all.
     
#2: Shrek (voiced by Mike Myers)
Key Token: Skin colour
Must I really justify this? A franchise that has worn thin? Surely. But Shrek is an iconic, not the best animated character of the last decade but easily the most memorable for me.
       
#1: Gandalf the Grey, then White (played by Ian McKellen)
Key Token: The hair
This was too easy really. I did cite the performance as one of the decade’s best, and after a while it became difficult to say where the brilliance of McKellen’s performance ended and the iconicity of Gandalf began. From his quotable lines, to his enigmatic stares, his magical prowess and his commanding voice no character from the last decade leaves such a lasting impression on me as Gandalf, whether he be Grey or White.
              

Sunday, 24 May 2009

Meryl Streep is not my favourite actress. I completely understand the love for her, since she is quite a good actress. But I’m just not very fond of her, or of her work. Someone once referred to her as a chameleon which seems about right. She now holds the record for the most Oscar nominations ever, which is a pretty formidable feat considering that she’s been acting for less than forty years. Recently she’s been on somewhat of a roll, and although she has been good in her roles, I wonder if some other actress could not have done just as well (or dare I say better) in the roles.
        


Take her role in The Devil Wears Prada. This is probably my favourite Meryl Streep comedic performance, usually I don’t like her in comedy, but I would have so much more loved to see Glenn Close. Perhaps, it would have been too much – been there, done that. But still, I think that could have been have been a great career opportunity for Glenn Close who remains as my favourite living actress, although I can’t remember the last time I saw her on the silver screen.

    
My worst Meryl performance is Prime. Not because the performance is bad, I mean it’s not very good, but it’s not horrible… and I always feel she was miscast. When the producers read the script and realised they needed a middle aged woman to play a Jewish shrink was Meryl the first name that came to mind. Haven’t they ever heard about someone called Barbra Streisand? Come on – that was too easy. And The Prince of Tides aside, I think Barbra could have knocked this out of the park – bad film and all. No offence to Meryl of course.
        
Last year Meryl did her thing in Doubt – a great performance, I kid you not. But there are so many older women (in need of roles) that could have been good here. What about Jessica Lange, Kathleen Turner (is she even alive?)Sissy Spaceck or once again Glenn Close. No one playing Sister Aloysius could have been overlooked by the Academy. NO ONE!!!! So did they HAVE to choose Meryl? And for the most part, I felt as if I was looking at Miranda Priestly with a dreadful New York accent and in a habit.

Then there was that horrid film called Mamma Mia… Meryl was actually the best thing, actually, the only good thing in this movie. The problem with Mamma Mia was casting. Meryl’s character is supposed to be a woman who about twenty years ago got pregnant at a young age and moved to this idyllic island? Did ANYONE looking at that movie get that feeling? NO! It was painful watching these women play young. Why couldn’t they cast Nicole Kidman or even Renée Zellweger?!!! Or some actress that was below 45. Damn those Hollywood producers.
               
There are other performances where I saw other actresses. Lions for Lambs never worked for me, but I still imagined Patricia Clarkson in it, more than Meryl. I dreamed of Pfeiffer in A Prairie Home Companion – even though she’s not old enough, etcetera, etcetera.
             
I have decided that after being in the business so long Meryl Streep has considerable dirt on every important Hollywood producer and is therefore blackmailing them so she gets all the good roles (and even some of the bad ones). I mean that must be the reason…right?

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