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Showing posts with label Private Practice. Show all posts
Showing posts with label Private Practice. Show all posts
Saturday, 21 May 2011
It was a week of finales, the on ABC, CBS and NBC I got packed with a slew of finales some were perfect closers to great seasons and others were surprisingly disappointing. But before, I’ve got two overdue reviews from the week before.
Cougar Town: “Damaged By Love”
Watching Ellie deal with Andy’s family – particularly his officious sister-in-law ends up being a left-field arc for a show that’s often so insular but one which is also quite hilarious. Moreover, it ends up leading to a brilliant moment of niceness between Laurie and Ellie. Their relationship is an interesting thing to watch, and it’s great seeing how much they’ve grown over the two seasons. Jules father is always good for a laugh, and his strip club antics were great to watch especially when it led to the softer moment at the end. Grayson’s arc was a bit silly, but in a good way. I have to give props to Josh Hopkins who I often used to think of as the show’s albatross. He’s been bringing the funny recently.
[B+]
Parks & Recreation: “Road Trip”
I missed the second of this, and it was a great one. Not as enjoyable as “The Fight” but it saw two important things happy. Ben and Leslie’s relationship finally got on track (a whole year after he arrived and I noticed their brilliant chemistry) and it’s fun watching Chris be the ultimate cockblocker, naturally oblivious to everything. The arc of Tom’s gameshow wasn’t as joyfully hilarious as his other ideas, but it’s great how the writers are treating the April/Andy marriage with sincerity and her showing up at Ann’s house was a nice touch.
[B+]
Desperate Housewives: “And Lots of Security...”
Desperate Housewives: “Come On Over for Dinner”
Well, the seventh season of Desperate Housewives wrapped goes out in a decidedly disappointing double feature. I couldn’t help but wonder why the second episode couldn’t have been tightened up and used as the next season’s premiere. The Felicia and Paul drama came to a whimpering close (not even a return of the great Cody Kasch) and so does Lynette and Tom’s marriage. The divorce plot seems tired but I don’t see it as especially terrible because that entire relationship has become awfully annoying to watch. The Gaby drama is vaguely random but not overly so and the rotating dinner is a nice touch. The latter episode is superior, but something still feels off although I do give props to Vanessa Williams for being the episode’s MVP working hard with the silly storylines she’s given. I keep praying that this show can rein itself in and find some structure. I don’t know, though...
[C/C+]
[B-]
United States of Tara: “Chicken ‘n’ Corn”
Well, things are definitely reaching to a head and it sure is turning into something chilling. Tara’s new alter is distressing, but it was the early scene with Chicken which was more upsetting. It was an episode of things being troubled, though, like the usually calm Max being derailed by that plain right or Kate being similarly ill at ease with Evan’s demon-son or Marshall feeling badly because of Max’s ostensible lack of support. Marshall’s really annoying me this season, go figure. Even Charmain’s attempts at a day out were capsized first by her worrying about Wheels and then her returning home to Hatteras in her house and a palpably upset Tara there.
[B+]
Nurse Jackie: “The Astonishing”
This episode was filled with some great small bits featuring things that you wouldn’t likely see. O’Hara looking at her bruised chest in the bathroom was deep and then there was that awkward lunch with her, Jackie and Zoey and then a somewhat random but surprisingly effective moment with his toys. Jackie was running on a single pill today and that’s probably why her mood was so sour. I feel badly for Gracie, but she’s such an annoying character that I wasn’t that invested in her saintly plight. Gloria and Thor bonding was a genius move as was the conversation between Kelly and Zoey which led to the latter reminiscing on her days of being jailbait. Wever is such a trooper.
[B+]
Glee: “Funeral”
I’ve stopped reading reviews of Glee because I end up almost always liking the hated episodes or hating the liked episodes and what not. “Funeral” was a lot more placid than you’d expect, and maybe it’s because I’ve been feeling a bit downer for the entire week (what with the rapture, and what not) but with its attention to the softer side of the show it ended up being less cloying to me and surprisingly moving. The arc of Sue’s sister dying on its own doesn’t move me as much but Lynch turns in a fine performance, and I did love the season’s opener when she and Will were “friends” so I’d love to see that return and it ties in nicely with Terri’s exit which saddens me. I’m a fan of Jessalyn, she’s had sinfully little do this season but she’s Morrison’s best acting partner and I will miss her when (if?) she leaves. The smaller relationship drama was a bit eclipsed, but Jonathan Groff brings the funny (without singing) and as harsh as his comments were every single one of them made sense if you put serious thought into it. Don’t care for the Finn/Quinn drama, I keep hoping Rachel and Finn don’t hook up and destroy the show – but it seems inevitable (them hooking up, not the show’s destruction. Ha.)
[B+/A-]
The Good Wife: “Closing Arguments”
I've come to love The Good Wife, I think my general antipathy towards Julianna Margulies (don't ask) made it difficult for me to initially love the show in its premiere season. Still, I've grown to love it and I was highly anxious to see the season's closer. The set-up is excellent. Fresh of their "break-up" Alicia and Kalinda must work together on judge murder which their client is charged for. Just as closing arguments for the case are given new evidence (in the form of a bloodied glove) ends up on Alicia's desk leading the team into a fresh new investigation. It sounds good, but the episode is something of a let-down, a fine episode - certainly, but it sort of fizzles in contrast to last week's episode. For me, The Good Wife is always at its best when it touches on the concepts of friendship - Kalinda/Alicia, Diane/Will, Eli/Peter or general politics and as a viewer the Will/Alicia dynamic is decidedly secondary for me. So, even though we get some suggestions of brilliance like Cary and Diane's cutesy banter or Eli and Alicia's pseudo face-off or Cary noticing Kalinda's coldness the fact that the end-all of all that could be is a lip-lock between Will and Alicia
[B/B+]
Modern Family: “See You Next Fall”
It’s a solidly fair episode and it’s great when the entire comes together – this time for Alex’s graduation. Hyland was great this episode helping Alex to see how terrible her original graduation speech would have been. The Claire/Phil arc wasn’t as precise as I’d hope but Bowen and Burrell (the MVPs on the show, for me right now) really can make anything work. Jay’s Botox seems a bit out of left-field but I love Mitchell’s reaction. The Cam/Mitchell arc was a bit silly, but Ferguson is hilarious when he comes as vaguely insensitive and the best part of the episode was him trying to convince everyone how Cam’s fall could have been funny.
[B/B+]
Cougar Town: Free Fallin'
This was an episode of classic greatness and even the potentially freaky arc of Grayson, Ellie, Tom and the chalk children didn’t end up hindering. On one hand Jules and Travis have concurrent bonding and sparring when he decides to drop out of college. This leads to a hilarious gag where Grayson pretends to be Travis and he and Jules end up making up. It is as weird as it sounds, even Ellie agrees. Then, Penny Can went national as Lou Diamond Philips became the face of the new and improved Penny Can and though in theory it’s Bobby’s arc it leads to a string of hilarious Laurie moments. It will be interesting see Bobby in an apartment now, and Travis on the boat.
[A-]
The Office: “Search Committee”
Krasinski, I always maintain, is a brilliant actor because he knows how to react to the madness around him and having him on the search committee responding to a host of madness and giving the camera his wan expressions was just great. This one hour didn’t top the Christmas episode – nothing this season did. But, in its placidity it was a fine close to the season. One of the surprising arcs which hit home was the potential for Phyllis and Erin to be mother and daughter. I’ve never been a fan of Phyllis but the arc ends up being funny and moving. Little things were excellently done, like Pam having to be the one to save the office from Creed or every bit character have their moment from Kelly and Ryan (I will always love those two) to Oscar and Darryl. It was perfectly orchestrated which serves as fine proof that as brilliant an addition Michael was the office is filled with a host of brilliant members. They can handle another season...but who will lead them? I hope it’s James Spader. He was brilliant!
[B+/A-]
Parks & Recreation: “The Bubble”
Parks and Recreation: “’Lil Sebastian”
A double episode closing for the greatest comedy on television at the moment seems about right. Ben meeting Leslie’s mother was all sorts of great. Scott is doing such great work on the show, I keep praying at least one cast members get Emmy love but damn they’re all worthy. That’s why the concept of them working like crazy on the funeral of ‘Lil Sebastian is both silly and fantastic. The cliff-hangers are striking but not exasperating because they’re so realistic. Leslie running for office is an excellent idea, which could be a problem with the Ben liaison. Tom leaving the office is logical, although I wonder how successful he would be. And then we get added pieces of greatness like Ron’s moustache burning off along with the return of Megan Mullally and Tammy I (whoever that is) and Chris mourning the loss of his youth which is too funny. Here’s an even better season four, but before that here’s praying for some Emmy love. Fingers crossed.
[A/A-]
[A-]
Grey’s Anatomy: “Unaccompanied Minor”
I swear I’ve been crazy emotional this week, it’s like all my aloofness has worn off over time and it’s all gone and that scene with the room waiting for that solitary minor made me really, really, really sad. It’s been a while since a one hour season finale and this one seemed especially un-seismic but still excellently solid. It’s a sensitive closing to a season that’s seen the show trying to find its way and by ending on softer note it works excellently. I’m worried about Alex, and I wish he and Meredith could have had it out. Hopefully next season doesn’t see him get crazy because I’d hate it if April got chief resident over me. But there’s bigger fish to fry, like Meredith’s suspension, Derek’s leaving and the baby’s arrival. All things handled sensitively and with great skill. But this week it’s Sandra Oh who delivers home. Her conflict makes sense to me, but I can see Owen’s point and it’s just all complicated for her – just as Meredith keeps stressing about her issues. It’s not black-and-white, it’s a murky deluge and I can’t wait to see what they do with the next season. I feel as if, finally, they’re back on track.
[A-]
Private Practice: “To Change the Things I Can”
Naomi’s departure wasn’t as big a thing as I’d hoped; I suppose having Audra leave quietly is the best thing for the show and Addison already has her issues of semi-depression. The practice’s move to a change is interesting, although I wonder if that’s going to be as big a change as they’re making it out to be. It’s weird, I don’t have much to say about the episode but it’s a good one. Violet and Pete’s drama is an interesting problem and Charlotte and Coop’s troubles at works makes for an interesting arc. The thing about this show, though, is that it’s so dedicated to being calm that sometimes it can come off seemed anaesthetised. This episode avoids that, hopefully season 5 continues on that.
[B+/A-]
Outstanding Writing
Grey’s Anatomy: A/A-
Parks & Recreation: A/A- (“The Bubble)
Cougar Town: B+/A-
Glee: B+/A-
The Office: B+/A-
Outstanding Performances
Amy Poehler in Parks & Recreation B+/A-
Sandra Oh in Grey’s Anatomy B+
Adam Scott in Parks & Recreation B+
Eve Best in Nurse Jackie B+
Jane Lynch in Glee B+
John Krasinski in The Office B+
John Corbett in United States of Tara B+
Nick Offerman in Parks & Recreation B+
Ty Burrell in Modern Family B+
Kate Walsh in Private Practice B+
Courtney Cox in Cougar Town B+
Toni Collette in United States of Tara B+
Busy Philipps in Cougar Town B+
Vanessa Williams in Desperate Housewives B+
Dan Byrd in Cougar Town B+
Christa Miller in Cougar Town B+
Rosemarie DeWitt in United States of Tara B+
What did you think of all these finales? Any stood out?
Saturday, 14 May 2011
It’s another great week of TV as most shows wind down to the end of their seasons. The stakes are high, so most of them are in top form. I caught up on the episodes of Cougar Town and Modern Family from last week but missed this week’s Cougar Town (I’ll rectify that next week) AND I missed the second episode of Parks & Rec this week (sadness) which means I'll have three episodes of the show's best comedy up for review next week. Okay, moving on....
Cougar Town: “Lonesome Sundown”
It’s so great to watch how good of an actor Dan Byrd has become on this show, and whether it was being oddly humorous opposite Grayson or getting emotional opposite Kirsten (and then Jules) Travis was essential to that episode. But that was just a subplot alongside Jules moving into Bobby’s boat for a weekend while Laurie’s idea for “The Council” led to a string of hilarious gags. The episode was marked by all the whimsy, like Ellie realising that her life is nothing with [the ability to taunt] Laurie and Grayson and Travis doing some much needed bonding.
[B+]
Modern Family: “Mothers’ Day”
It was an essentially solid episode, although none of the three subplots were particularly stellar. The Cam/Mitchell issue was probably the most sincere –
Cam’s “crises” is understandable but it’s also hilarious. I do love Jesse Tyler Ferguson, even if I wish he’d get stronger material on a weekly basis. I didn’t love Bowen this week as much as I usually do – but that was more to do with the storyline, although I love moments where Luke and Manny have conversations. It always leads to hilarity. And, of course, Jay and Phil is always a recipe for awkwardness – in a good way.
[B/B+]
Desperate Housewives: “Then I Really Got Scared”
The episode is a lot of random stuff. Apparently the Solis household is back to normal a horror flick which Gaby shows Juanita ends up precipitating some night terrors and then an impromptu camping trip in the yard. On the upside, the presence of Lee worked well this episode but the closing with the random creepy guy who’s apparently searching for someone was just strange. Then, there’s Bree and Chuck. It gives Vanessa Williams an opportunity to turn up and be amazing, and the potential relationship between Bree and Chuck does seem good but something is off. The Lynnette/Tom storyline has reached cringe worthy heights. I have to say, I think Lynette is being ridiculous and Susan heading to jail for Felicia’s crime is bordering on ridiculous. Hopefully the finale makes more sense.
[B-/C+]
United States of Tara: “The Electrifying & Magnanimous Return of Beaverlamp”
Finally, I’m feeling something from Keir Gilchrist this season. As funny as all the madness with Tara’s alters is it is nice when the realism hits and it’s good seeing Marshall deal with that even if he’s too emotionally stunted for words (and it’s great seeing Lionel back). The episode, generally, is rooted in serious as Dr. Hatteras seems to be heading out owing to a fatal relapse in a patient he treated. Tara was in a good mood this week, though and watching her do such good planning for the birthday only to be waylaid by the new alter at the end. The best thing about this show, right now, is how everything is developing so well which brings me to my favourite arc of the episode – the excellent Brie Larson’s Kate. Something as simple as a tentative relationship with a passenger becomes much more poignant than I expected. Larson is really doing impressive stuff this season.
[B+]
Nurse Jackie: “Orchids and Salami”
Holy devil, Jackie is devious. The episode opens with her being the no-nonsense, good mother that she is but the way it switches to her drug issue ending on a troubling only underscores the dichotomy between good nurse and mother Jackie and drug addict Jackie. Now that we’re in the second half of the season the direction that show is taken is more obvious, and it’s going to be interesting to see what happens when everything flares up. I’ll admit that I love the rapport between O’Hara and Eddie, Best hasn’t gotten the opportunity to do anything brilliant, yet this season. Merrit Wever and Peter Facinelli were in top form, though. Wever was responsible for the comedic beats, like working on her blog – typing at a snail’s pace – and reminiscing with Thor about Kelly. But, it’s Coop who continues to be my favourite character. It’s both sad and hilarious watching his downward “spiral”. I really wish Facinelli would get some Emmy love.
[B+/A-]
Glee: “Prom Queen”
[B+]
The Good Wife: “Getting Off”
[A/A-]
Modern Family: “Good Cop, Bad Dog”
[B+]
Community: “A Few More Paintballs”
[A-]
The Office: “Dwight K. Schrute, (Acting) Manager”
[B+]
Parks & Recreation: “The Fight”
[A/A-]
Grey’s Anatomy: “I Will Survive”
[B+/A-]
Private Practice: “God Bless the Child”
[B/B+]
Standout Writing
The Good Wife A
Parks & Recreation A/A-
Community A-
Nurse Jackie B+/A-
Random Thoughts
- Of all the random pairings on Nurse Jackie, I love the interactions between Thor and Coop.
- Am I the Glee fan who doesn’t think Colfer is an excellent actor?
- Seriously, the fact that Kalinda actually cried tears pierced my cold heart. But, now I want her to be an ice-queen to Alicia.
- I wish the character being killed off was Finn. Sue me.
Standout Performances
Archie Panjabi in The Good Wife: A
Julianna Margulies in >The Good Wife A-
Amy Poehler in Parks & Recreation A-
Toni Collette in United States of Tara B+/A-
Rashida Jones in Parks & Recreation B+/A-
Sandra Oh in Grey’s Anatomy B+/A-
Brie Larson in United States of Tara B+
Merrit Wever in Nurse Jackie B+
Aubrey Plaza in Parks & Recreation B+
John Krasinski in The Office B+
Keir Gilchrist in United States of Tara B+
Edie Falco in Nurse Jackie B+
Peter Facinelli in Nurse Jackie B+
Naya Rivera in Glee B+
Kate Walsh in Private Practice B+
Dan Byrd in Cougar Town B+
John Corbett in United States of Tara B+
Did you like Greendale’s send-off? Who did you vote for the prom queen? Did the Kalicia (Kalinda/Alicia) blow-up work for you? What did you watch this week?
Saturday, 7 May 2011
So, another fairly good week of TV. I missed ABC’s Wednesday lineup, so I’ll probably include that in next week’s slate when I get the chance.
Desperate Housewives: “I’ll Swallow Poison on Sunday”
It’s not as well constructed an episode as the last two were, but it’s a generally solid movement forward in terms of general plot. Lynnette continues to exasperate, and I’m both impressed that the writers are allowing a main character to be so wrong about something and annoyed that she continues to miss the same relationship with cues with Tom after seven seasons (and 12 years counting that 5 year jump). Susan’s liaison with Paul is thickened by Felicia’s attempts to poison him which are interesting but disturbing and not necessarily in a good way. Bree dominates the episode for me. Her imminent relationship with the detective Chuck is interesting to watch, especially measured against her issues with the Solis clan. It’s so silly of Carlos, but I suppose it’s best for Gaby to work on her marriage than her friendship with Bree. I figure some disaster will happen to make him rethink his decision, but I hope it doesn’t end up coming off too trite.
[B/B-]
United States of Tara: “The Road to Hell is Paved with Breast Intentions”
I have to say that I’m really disinterested in Marshall as a character this season, he’s always been something of a voyeur but I don’t know – it’s gotten worse, not a deal breaker for the show by any means, but just unfortunate. On the other hand, Kate as a flight attendant seems like a fine way to use Larson’s talents (really, isn’t she doing great work this season) and it’ll be interesting to see what – if anything – comes of her potential affiance with the scruffy haired passenger. Tara’s issues with her mother were necessary, on an emotional level, I suppose but they didn’t resound with me as much as I’d have hoped but it’s essentially a good episode. Can’t believe we’re half way through the season already, though – but a lot has happened.
[B/B+]
Nurse Jackie: “When the Saints Go”
It’s different on Nurse Jackie, though. The season has been going well, but I can’t really pinpoint any significant arc that has happened to put the rest of the episodes into perspective. Coop bonding with the trauma patient was an interesting arc. I suppose O’Hara and Jackie need to rekindle their friendship, but the latter is coming off even colder than usual in her personal life though the moment at the end with Gloria was nicely played. It was an episode of little things, and Zooey was great pondering of little things like her relationship. I do love the show, but it’s weird how continuity is not a significant portion of it. Not that it its non-contiguous, all the episodes just seem to exist in their own sphere.
[B/B+]
Glee: “Rumours”
So, on the upside Kristin Chenoweth is back and there’s no way she’s never not-awesome but on the downside she gets one song. Anarchy. So, rumours....it works with the dramatic beats much better than I expected even if I’m nonplussed about why Sam’s past is the one we’re delving into. Random much? The continuity works on bits like Will’s quest for stardom measured against his love for the Glee club. And, the smaller drama like the Finn/Rachel/Quinn mess (how I wish Finn and Rachel never become a couple again) is tempered enough to not be annoying. The second half does feel a bit disjointed in that a whole sloth of exposition is revealed making it seem like a lot’s been left on the cutting room floor (especially in relation to Will/April and Britney/Artie) and I wish they’d have cut the final song for tying up some lose ends. But, it works – for the most part. But how seriously random is it that Sam’s past is the one we delve into? Tina, Mercedes, Mike, Santana, Brittney and most importantly PUCK are all characters whose family life we have no idea about. Ugh, fail Ryan Murphy...
[B/B+]
The Good Wife: “In Sickness”
The explosions in relation to Alicia finding out about Peter and Leela (aka Kalinda) haven’t actually reached to the surface, so in a way this episode should be something of a filler, but it’s still one of the best of the season. There’s a potent tension pervading the entire one hour, and even though – for me – The Good Wife is all about the awesomeness that is Kalinda Sharma, and to a lesser degree Christine Lockhart it was nice watching Alicia ground an entire episode, almost devoid of supporting players. As always the main case is responsible for less than a third of the actual story, and kudos to Mary Beth Peil for turning a great performance as Jackie. It’s been a great television for female guest stars, but in too scenes she surprises me some emotion I’d never noticed in her before. The strongest scene was probably Alicia’s conversation with her children, Mackenzie Vega is often more than a little annoying but it works this episode around. It’s the personal moments like these which make this show more than just another run-of-the-mill procedural. Moreover, as petty as Peter’s accusations at the end of the episode were they are worthy of consideration. Alicia’s not the only victim here.
[A-]
Community: “A Fist-full of Paintballs”
I didn’t much care for the original paintball episode, but this one was brilliant. Perhaps, it was because there was a significant amount of plot infused with the hijinks of the shootout – I don’t know, I hate to conduct post-mortems. Still, it’s a good one. Pierce’s continual annoyance has made his place in the group questionable which acts as an episode for Annie to shine all the while backed up by the usual silliness that marks Greendale. I’m interested in seeing what the conclusion to it all will be, but even on its own this episode is a definite success.
[A-]
The Office: “The Inner Circle”
The first episode after Michael’s goodbye and it’s a good one. I’m still not sold on Deangelo as a character, but it’s so good watching the usual suspects work around him. I have to say I hate how little a role Krasinski has played this season (he was in my top 5 last year) so it’s nice that he gets an episode to do what he does best: make great facial expressions and balance that bathetic humour of his. The episode was filled with great bits, too. For example, how great is it seeing the power-couple, Ryan and Kelly, dealing with the madness of Deangelo. What does Ryan do at Dunder Mifflin? And then, Dwight too is so good working out his own issues with Deangelo. The women get a chance to do good stuff (I miss Angela’s insanity) and it ends in a wonderful gag. True, Deangelo is no Michael Scott but this show will always be about the ensemble, and they’re in top form. We can work around Ferrell.
[B+]
Parks & Recreation: “Eagleton”
Each time I think this show has realised its awesomeness and will just continue being brilliant it gets even more brilliant. Amy Poehler has been turning in some brilliant work this season, and now it’s getting difficult for me to decide which episode she’s best in. The episode has two arcs and they complement each other well because they’re both about how excellent Leslie is at her job. True, Parker Posey is hilarious and it’s interesting to think of a young Leslie and the conflict between Eagleton and Pawnee was excellent. But, it’s even more fun how well she knows Ron so that she can plan the perfect birthday for him complete with steak, breakfast food and The Bridge on the River Kwai. And, of course, there were random moments of greatness like Tom telling off Lindsay, and that garbae fight with Leslie and Lindsay and those great Leslie/Ann moments. Yup, this IS the best comedy on TV, perhaps the best show.
[A]
30 Rock: “Respawn”
I didn’t even realise that this was the season finale of the show until afterwards, and considering the goodness that went on last week it’s a bit of a letdown. It sort of encapsulates how volatile this season one, filled with goodness and then combated with some head scratchers. Little moments worked especially well – like Liz in court, or Jenna breaking into that wool song but overall it was a bit too limp and it’s a shame because the show still has the ability to wow. The episode was just too disjointed. The Kenneth/Jack issue fails terribly, even if I get the concept and it’s the same for Jenna’s story. They give her a significant, but it’s something of a doozy. I suppose 30 Rock wouldn’t be the same without these odd curveballs, but still...
[B-/C+]
Grey’s Anatomy: “White Wedding”
It’s nice to see that Grey’s is continuing its easy trend back to goodness. It’s a nice episode, free of thrills but a good way of giving Callie and Arizona (and Derek and Meredith) their first step into marriage. It’s free of thrills, but not necessarily of drama. It’s going to be interesting to see what becomes of Alex suspecting of Meredith’s tampering with the clinical trial and I love the ambiguity of it all in that her motives were selfless. Then, there’s Cristina and Teddy and both women have strong cases so it’s difficult to pick a side. Well, not really (Sandra Oh, all the way). I’m glad they didn’t go for the easy way out with Callie’s mother and it’s nice that Bailey was the one who made her see the light. AND Derek and Meredith plan on adopting one gorgeous African baby, so it’s all good.
[B/B+]
Private Practice: “Something Old, Something New”
It’s a fairly good episode as Coop and Charlotte tie the knot, but it’s about more than that. Addison and Naomi are still at odds and Addison’s motives finally make sense now that I think of it – though I wish the two best friends would just kiss and make up already. I’m less interested about the Addison and Sam relationship, though. Violet’s issues are another thing I’m puzzled about. On one hand, it’s unfortunate but the always practical Naomi is not being overly conscientious by worrying about the practice. It’s nice that Coop and Charlotte decided to just screw it and elope but it feels sort of like a band aid over a big bullet hole. There’s a lot of issues the entire practice needs to sort out...
[B/B-]
Random Thoughts
- Wouldn’t it be a nice Emmy category be “best episode titles”?
- Can you believe that THIS is the first time Quinn/Finn actually sing a song. Once again, I wish the two would remain together. I have virtually no interest in their romantic affairs but they complement each other, vocally especially.
- So, who else thinks Alex gets Chief Resident?
- Is it wrong that I wish Pierce would leave the show?
Standout Writing
The Good Wife A-
Parks & Recreation A-
Community A-
Standout Performances
Amy Poehler in Parks & Recreation A/A-
Julianna Margulies in The Good Wife A-
Alison Brie in Community A-
John Krasinski in The Office B+
Nick Offerman in Parks & Recreation B+
Peter Facinelli in Nurse Jackie: B+
Marcia Cross in Desperate Housewives B/B+
Merrit Wever in Nurse Jackie B/B+
Sara Ramirez in Grey's Anatomy B/B+
Rosemarie Dewitt in United States of Tara: B+
Brie Larson in United States of Tara B/B+
Sara Ramirez in Grey's Anatomy B/B+
Rosemarie Dewitt in United States of Tara: B+
Brie Larson in United States of Tara B/B+
Saturday, 30 April 2011
Before long a number of these shows are going to be airing their finales, so they’re all doing their best to go out with a bang which means a generally good week of television.
Desperate Housewives: “The Lies Ill-Concealed”
Last week this show turned out a good episode, which was like a long drink of water after a drought. The show has been a downward spiral this season, and this week it manages to top last week’s good instalment with another episode featuring that excellent juxtaposition of humour and drama which once made this one of the best comedies on television. I’m all for character development, so the arcs all worked for me. Lynette’s was the poorest, but it was the source of much humour. The character herself seems to be learning things she should learned ages ago but it works in a great way, even if Vanessa Williams doesn’t get as much to do as I like. And although it starts out with some gruesome images, Susan and Paul’s affiance works much better than any arc she’s given this season. But neither matches the two great arcs surrounding Felicia and Karen and Gaby and Bree. On one side, Felicia reveals that she is still freakishly diabolical and poor Karen is the sap and on the flipside watching Bree and Gaby bond was such a nice touch and even though I understand Carlos’ decision I was cheering when Gaby went moved in – temporarily, I presume – with Bree definitely putting her marriage in jeopardy. If only the entire season had developed in such an admirable way.
[B+]
United States of Tara: “Dr Hatteras’ Magical Elixir”
The episode itself is probably the weakest of the season, thus far – but it’s hardly an unrewarding episode. Tara signs on to be her professor’s “lab-rat” which is something that I’m interested in, guest star Eddi Izzard in turning in some good work. Max is facing troubles at work, and though it’s a generally trite arc Corbett turns in some good work this episode. Larson doesn’t get as much to do as I’d hope, but her shenanigans on the plane were hilarious – I’m looking forward to what becomes of that. Charmaine and Tara finally reconcile in what ended up being a sweet closing. And, Marshall and Lionel call it quits which felt a bit odd – but I’m not sure why. I’m not sure if it’s because the relationship felt bogus, or because its end seems so flippant. I suspect that a tornado could brew from his latest liaison, but we’ll see, I suppose...
[B/B+]
Nurse Jackie: “Rat Falls”
I love Facinelli’s work on Nurse Jackie so – naturally – I was glad that he got a major this episode and I was even more overjoyed when that arc ended up being opposite Soozie Kurtz (as one of his moms). Facinelli is the only character who seems to be playing to a comedic audience (I still think Nurse Jackie is a drama in disguise) but his scenes manage to work on the comedic and dramatic level. In other news, rats infesting the hospital and happened upon Jackie’s pills. Will Jackie ever quit? Who knows? Eve Best too turned in fairly good work on this episode. As usual, Nurse Jackie never really overdoes it with the plot – but the episodes are almost always enjoyable.
[B+]
Glee: “Born This Way”
I feel a bit badly for Glee, it’s as if it can’t win and I don’t know if perhaps audiences were expecting a “revolutionary episode”, a notion I find hilarious – this is Glee,people. Kurt’s back at McKinley and though he comes via a turgid rendition of “As If We Never Said Goodbye” (which happens to be one of the few Andrew Lloyd Webber songs I actually like) it’s all good. Sort of. For me, the episode is saved less by the overreaching arc of self-love and more by a trio of fine performances from Jayma Mays, Lea Michele and Dianna Agron. Emma’s rant about being a “ginger” was a nice moment of silly humour that I’ve been missing. Jayma has been given so little to work with this season. Quinn and Rachel have the best number of the episode – it’s easily one of best mash-ups the show has done, which makes the episode lopsided because it comes so early in it. The revelation of Quinn’s ugly past is an awful plot-point which subverts the entire self-love theme by implicitly saying that being conventionally good-looking is bad and by being too heavy-handed with high-school clichés. The Santana/Karofsky madness was humorous, mostly. Issues abound, as per usual, but for me it’s a strong episode. And I love randomness like the band geeks having their instruments with them on the patio. During lunch hour. Complete with a piano. Madness.
[B+]
Cougar Town: “You're Gonna Get It”
True, it’s not an excellent episode but it’s solid comedic goodness, and Cougar Town is a fine show. Bobby hits the wrong ball at the golf tournament which leads to a hilarious bit of random humour courtesy of Van Holt. This arc was buttressed by Jules hilarious mistakes with the “Pledge of Allegiance” (the strongest plot-point) and Travis and Laurie teaming up to hoodwink Ellie and Grayson. The relationship between Travis and Laurie is a winner, but even more I love how Ellie and Grayson don’t care for each other but still manage to foster a weird rapport between them. There are some classic Cougar Town moments, most of them courtesy of Laurie and her twitter fansite and it’s all in all a nice half an hour of good times.
[B]
Community: “Applied Anthropology and Culinary Arts”
...and so Shirley’s baby is born. The episode feels a bit flat, and yet I think it’s a solid one. It’s probably because it’s missing on the most outrageous of things making for a softer, and oddly poignant episode. Fans will be pleased to know that Chang is NOT the father (said as Murray Povich). Jeong does a fair job this episode, but even when he’s good I still find him to be an exasperating performer. Troy and Abed’s handshake gaffe was hilarious, and I just love seeing Donald Glover get chances to show random bits of emotion. Britta and Jeff have a number of “moments” this episode, most of which end up working much better than I anticipated. I’m so glad to see that Community has managed to maintain my interest.
[B+]
The Office: “Goodbye Michael”
Well, Michael Scott has left the building and like the usual serious things that occur at Dunder Mifflin it all occurs with a level of poignancy that’s become a bit underestimated in the modern sitcom. It’s wonderful watching Carell interact with the entire cast as he gives each of them a goodbye present. Yet, even as the episode is marked with all this sadness it never loses site of those random moments that will always make this office the best one. The very sight of Pam walking into The King’s Speech while on a work assignment was just one of those brilliant little moments that worked much better than you’d think it would on paper. Or Dwight telling Michael that he doesn’t deserve to be “buttled”. It was such a nice touch having Jim figure out the ruse without breaking it, although I can’t say Deangelo Vickers is interesting, I’m a bit worried...
[B+/A-]
Parks & Recreation: “Jerry’s Painting”
And, as per usual, Parks & Recreation delivers another solid episode this week – and it’s a few minutes longer than usual, which I’m all for. Jerry’s controversial painting of a centaur with a striking resemblance to Leslie leads to controversy in the department. The painting acts as a nice impetus for a number of things. Ron doesn’t play a significant role this episode, but he does have an excellent speech about his interest in arc. Leslie’s a little down because she can’t date Ben (the sexual tension is killing me, hee) so she makes it her mission to save the painting. Meanwhile, Ben moves in to the married home of April and Andy which leads to some exceptional moments between the trio. April and Andy’s marriage is somehow leading to even more great moments on this show, which I didn’t even think was possible. And to think this is one of the season’s weaker episodes and it’s still head and shoulders above almost anything on television. As Andy would say, “Awesome-sauce”.
[A-]
30 Rock: “Everything Sunny All the Time Always”
Well, cheers to all in involved – this was a piece of brilliant. I’m not sure (I’m a bit partial to “Christmas Attack Zone”) but this might have been the best episode of the season and what’s so odd is that Jenna’s role was significantly muffled – although she delivered on that opening gag in Liz’s apartment with “The Secret”. It’s a trio of arcs. Tracy returns and is annoyed that the gang survived without him, leading to a ridiculous situation of trying to create the moment of a specific joke. The concept succeeds much better than I expected. Meanwhile Liz tries to take control of her life and Avery gets kidnapped in North Korea leading to a guest appearance from Condoleezza Rice which gives Alec Baldwin a chance to be brilliant.
[A/A-]
Grey’s Anatomy: “It's A Long Way Back”
It’s as if all that singing was a sort of therapeutic measure for Sara Ramirez to turn out a great performance. Perhaps not excellent, but it’s a season’s best for her as she deals with recovering herself and it’s an arc which functions as a fine backbone for a fine episode. It’s good watching the trio deal with the baby measured against some other interesting arc. Don’t we all wish Teddy and her non-husband would just bang and get over it? Yet, it’s not an annoying storyline. Things get even more interesting watching Meredith and Alex being unethichal. That scene with Devine and Pompeo where Adele thought she was Ellis was well delivered and it’s interesting watching Meredith break the rules to ensure she gets the best treatment. In the same way watching Alex almost blackmail a patient (excellent guest turn from Doris Roberts) for money to help some children in need. It toes the right line of ambiguous because it’s all in his race for chief resident and yet you get the feeling that Alex is truly just happy helping those children. I’m actually glad to have Grey’s back, it’s going well...
[B/B+]
Private Practice: “What We Have Here”
I sound like a broken record, but I’m really missing this show with Audra McDonald. It’s a fair delivery, but it continues a trend of well constructed, but trite episodes which the show has been riding on for some time now. Violet confronts, for the final time one can assume, her past with Kathy and moves forward with “allowing” Marshall to date the reviewer who hated her book. For some reason, Violet has lost that cadence that she first had and she’s become a bit of annoying character. Speaking of annoying, as much as I understand Addison’s dilemma the drama between her and Sam seems ridiculous. For now, Charlotte and Coop are the only sane ones. Strickland continues as MVP in Audra’s absence and they have some nice moments together moving towards their impending marriage.
[B-]
Randomness
- I loved Kurt’s utterance about Santana and her Lady Macbethian ways, her worth as a Latina Eve Harrington.
- Dare I say it: I don’t miss Paul Schneider from Parks & Recreation. I’m such a traitor.
- I’m not sure what to think of Deangelo’s terrible salesmanship and obvious eating issues. It just seems disturbing...
- How brilliant was the cake switch between Gaby and Bree?
- Did anyone try following @thelarmi?
Standout Writing
30 Rock A/A-
Parks & Recreation A-
The Office A-
Standout Performances
Adam Scott in Parks & Recreation: A-
Alec Baldwin in 30 Rock: A-
Amy Poehler in Parks & Recreation: B+/A-
Peter Facinelli in Nurse Jackie: B+/A-
Sara Ramirez in Grey’s Anatomy: B+
Chris Pratt in Parks & Recreation: B+
Jayma Mays in Glee: B+
Tina Fey in 30 Rock: B+
Busy Philipps in Cougar Town: B+
Eva Longoria in Desperate Housewives: B+
Lea Michele in Glee: B+
John Corbett in United States of Tara: B+
Dianna Agron in Glee: B+
How was your week in TV?
Saturday, 2 April 2011
TV Week in Review: 27th March-3rd April (and leftovers from last week)
0 comments Posted by 2011 at 11:11It’s been a fairly good week, a few episodes that are quite good but a TON of brilliant performance which always makes me glad. I’ve got some left over comedies from last week that were worthy of note, somewhat, so here goes.
Modern Family: “Boys' Night”
Only now caught up on the latest episode of Modern Family, and it’s fairly solid but nothing special for me. It’s a series of interesting arcs, but they don’t pack as much as a punch as I’d hope though it gives Mitchell a nice chance to get some actual character development done. Seeing Jay “bond” with the guys is hilarious and that entire sequence is funny, even if the “resolution” is a bit too on the nose from the Gloria. It’s the same way that Luke’s new friend turns into a not-so-grumpy old man. It’s sweet, but a bit saccharine at times. But, that closing was a killer. Nice to see the very funny Reid Ewing back as Haley’s boyfriend and I love those moments where characters you don’t usually see together bond – like her and Cam.
[B/B+]
Community: “Critical Film Studies”
Another stellar episode from the Community crew. Jeff’s been so bland as a character lately so I like that he has this episode that serves as an interesting delve into his characters which has Danny Pudi (who was formerly my favourite supporting player) doing fine work. The one-sided commiseration of Cougar Town (which I miss terribly) was hilarious. I admit, at first the machinations of the group weren’t working for me, I was antsy for more Jeff and Abed – and then Troy went berserk, Abed went sane (which is actually berserk) and the episode ends with a brilliant close. Good stuff.
[B+]
30 Rock: “Plan B”
Well, Tracy’s coming back. Yay. If you know me, you know I’m less enthused about this and it’s a bit of a limp episode for me – the main arc, at least. Will Arnett’s return is fine and he does some good stuff upset Jack, but otherwise feels especially filler-esque. Tina is being a trooper, and she does try but it ends up feeling a bit too full of gags and without real hooks.
[ B-]
Nurse Jackie : “Game On”
As much as I’ll continue to admire the steps that Nurse Jackie makes in terms of taking the half hour-serial to a higher level, I’ll never understand why it’s considered to be a comedy. Its return is a case-in-point – a fine episode, a great way to return but one that thrives so brilliantly on the dramatic beats. Falco is in her usual good form and the rapport among the supporting cast is strong as usual. The second half doesn’t pack as strong a punch as the first, but it’s ultimately a top-notch return even though, nothing much really happens which is something I like about the show, usually – it always does take it slowly. Still, four minutes of recapping what happened last was a bit too much.
[B+]
United States of Tara: “...youwillnotwin...”
It’s not the same with United States of Tara, there’s a host of plot development but the episode isn’t brilliant – although it is a good episode. Tara’s return to college will be interesting to watch, and Collette shines in little moments like that meeting with the professor. As per normal, though, it’s Rosemarie DeWitt I’m more interested and she’s in fine form as usual even if [ ] is still ridiculous. There’s not an excess of focus on the children but both shines in their little moments – Larson is especially on-point in a funny interview scene. It’s the ending that strikes the strongest chord – a nice moment of “unity”.
[B+/B]
Parenthood: “Taking the Leap”
It’s an episode of good and not-so-good. Julia and Joel were the highlight of the episode, even if they still don’t get the A storyline (which is exasperating). That closing scene with the two is so brilliantly played, and I wish they’d given Christensen more to do to bring it home. Still, the two remain as the show’s most authentic pairing. Mae Whitman, too, is especially good this episode and I love that her college searching doesn’t turn into something too fanciful. The Crosby/Jasmine arc is become really awkward, as is the one with Adam/Kristina. I’m not sure how Sarah story is going to pan out, it could go either way – but I was hoping that Jason Ritter would return. I’m still waiting.
[B/B-]
The Good Wife: “Killer Song”
I recently caught up to speed on this show, but I wasn't sure if I'd watch this week episode...then I saw it open with Archie Panjabi (who easily wins for series MVP for me) so I continued watching. Julianna Marguiles aside – I just can’t love her - The Good Wife succeeds because it’s more serial in nature than every other CBS procedural. There’s a striking sense of continuity and the acting is excellent. America Ferrera’s guest turn this episode is well executed, and the court scenes continue to have that zing that used to mark the original Law & Order and its peak. And of course the focus on Kalinda is much appreciated by me, though it’s worrying what will happen when Alicia finds out. To get ethical, though, so the guilty man gets 30 years in an institution for one murder where he gets “mentally better”. I can’t help but feel he shouldn’t be tried for another murder he may not have been found guilty of before. Am I alone?
[B+/A-]
Grey’s Anatomy: “The Song Beneath the Song”
I didn’t even get wind that there was going to be a musical episode of the show until Wednesday – which goes to show that I should probably start paying attention to previews. Well, I love Sara Ramirez – I continuously play her numbers from “Spamalot” so it’s nice to see her work with those pipes – but the episode isn’t quite spectacular. It’s biggest issues is too much singing, so the episode ends up being obstructed and buttressed by the musical numbers, for the most part. Only Sara (and Wilson to some extent) ends up making the song work as a “acting” exercises and not just good singing. It’s an interesting plot, so I almost wish there wasn’t any singing so we could have seen more of Capshaw and Dane doing fine work – the latter of who I never thought had it in him.
[B]
Private Practice: “The Hardest Part”
It’s another fairly good episode of Private Practice sorely lacking in Audra and Addison. It sort of functions as the episode that should be Tim Daly’s calling card, but I find him terribly bland of an actor. So, the episode ends up getting its goodness from the guests mostly – the best of which is the piano prodigy who offers up an interesting arc. Nothing significant happens, but this episode makes me think that whenever Audra does leave the show for good (sigh) Kadee Strickland will be my MVP – she’s just so good, even in her small scenes.
[B-]
Standout Writing
Nurse Jackie: A-
The Good Wife: A-
United States of Tara: B+
Standout Performances
Rosemarie DeWitt in United States of Tara A
Edie Falco in Nurse Jackie A-
Archie Panjabi in The Good Wife B+/A-
Toni Collette in United States of Tara B+
Joel McHale in Community B+
Alan Cummings in The Good Wife B+
Jesse Tyler Ferguson in Modern Family B+
Sara Ramirez in Grey's Anatomy B/B+
Sam Jaegar in Parenthood B/B+
Sam Jaegar in Parenthood B/B+
Peter Facinelli in Nurse Jackie B/B+
Brie Larson in United States of Tara B/B+
What did you watch this past week on TV – new HBO premieres? ABC Thursday? Joe Reid’s tweeting (he’s hilarious) made me tune in for Idol this week, but I’m really disinterested in the shown and couldn’t care to recap...should I tune in again next week?
Tuesday, 29 March 2011
Random Acts of Television: Big Love, Private Practice, The Office, Community and Parks&Rec
0 comments Posted by 2011 at 15:57I’ve been sort of splotchy in my TV viewing lately, and even worse with the reviewing but I just have to single out a few recent episodes....(even though I'm way behind...I'll catch up soon, maybe)
I’ve been on and off in my Private Practice viewing, though I’m finally up to speed, sort of. I’m currently one episode behind – most recently seeing Addison’s return and the threat of Naomi’s departure. I feel like a Judas because even though I adore Audra McDonald I hope for her to leave the show so I can have another cast recording with her lovely voice on it. I sort of hope she’s not gone for good. Watching Walsh and McDonald will always be fine, and even the episode does not sizzle it retains that placid coolness that marks the show – sometimes better than Grey’s Anatomy in its interest in characters (which I still have to catch up on).
Episode: “Love and Lies” (Mar. 17) [B/B+]
I’m even behind on Thursday comedy which I think is awful, and boy oh boy Community is continuing its awesome string of good episodes which makes me so happy. It’s nice when shows return to form. Oddly, Annie wasn’t a big part of this episode – Britta sort of went front and centre and Senor Chang and yet it worked. Crazily, ridiculously but most importantly HILARIOUSLY. Gillian so often gets terrible material to work with, but seeing her and Abed and Troy having a friendship is nice and that final bit with them all and their “gadgets” was fun. So what if I’m way behind.
Episode: “Custody Law and Eastern European Diplomacy” (Mar. 17) [B+]
And Parks & Recreation returns from the fun of the Harvest Festival to go camping to find some more great ideas. Perfectly sequenced, excellent ideas to ensure everyone gets a chance and then Ron saving the day by making sure Leslie gets to was just absolute genius. But, it was The Office that still has me smiling back. It’s such a perfect way for Michael, the hopeless romantic, to leave the show. Carrell and Ryan are just perfect together and the entire episode is a piece of brilliant, it’s possibly my favourite episode of what’s surprisingly turned out to be a great season.
Episode: “Camping Trip” (Mar 24) [A-]
Episode: “Garage Sale” (Mar 24) [A]
But the real reason for this post is Big Love. Perhaps, later, when I have the time to give them the farewell they deserve, but I do know the writers offered up an episode worthy of our love. The writer was beautifully placid like the best of episodes, but it was the superb direction – the circle coming to an end, the actors being so cohesive everything emerging so smoothly that was most impressed. I’ll admit, I did shed a tear at that closing – not just for the characters, or even the show but the fact that a trio of strong females might never get such great roles again, or worse, not even get recognised for the great work they’ve put in. An kudos to Paxton, for doing fine work in his curtain call.SERIES FINALE: A, Season Grade: A-
Standout Writing
The Office A+
Parks & Recreation A
Big Love A-
Standout Performances
Bill Paxton in Big Love: A
Steve Carrell in The Office: A
Amy Poehler in Parks & Recreation: B+/A-
Chloe Sevigny in Big Love: B+/A-
Jeanne Tripplehorn in Big Love: B+/A-
Audra McDonald in Private Practice: B+
Did any of those episodes stand out for you?
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