Showing posts with label Matthew McFayden. Show all posts
Showing posts with label Matthew McFayden. Show all posts

Thursday, 4 August 2011

Jose’s anticipation for W.E. (and concurrent retrospective bashing of The King’s Speech) got me thinking about all the plot points at work in Hooper’s Oscar winner. Granted, I liked The King’s Speech. I felt it improved upon multiple viewings unlike most films of its genre, but there are so many interesting concepts at work that could make for (more?) interesting cinema. Case in the point the relationship between David and Albert.
      
For someone I’m always wont to forget whenever he turns up in anything, Guy Pearce gave a particularly affecting performance as the abdicator (perhaps, I should dedicate a column of Forgotten Characters to him). Firth is great all around the film, especially opposite Rush and HBC but my favourite scene of his is opposite Firth at that engagement party of Wally’s. Maybe sibling drama doesn’t make for revolutionary cinema, but I find the dynamic between the brothers to be more than worthy of a footnote in a film.
        
The only reason that Albert has all those issues to sort out with his speech therapist/shrink is because his youth is saturated with significant issues. I’d love the idea of a Becket like history of the brothers in their youth, and because women make everything better we could throw in the courtship of Elizabeth for the hell of it. I like Hooper, so I wouldn’t mind him returning for the prequel. I say James McAvoy as Albert and Matthew McFayden as David with Anna Friel as Elizabeth perhaps and we have a winner.
      
Who’s with me? Is this prequel worth funding?

Friday, 20 August 2010

When I mentioned a couple of months ago that I felt that there was eons of story beneath the characters in An Education it was Mrs. Mellor, played excellently by Cara Seymour, that stood out the most. Remember that moment when David stops in for a drink and Marjorie says, laughingly, of her past life “I’m trying to think what you missed. Nothing much comes to mind.” It’s little moments like that that get me thinking about Marjorie Mellor as a real person and not as a plotpoint in An Education of Jenny Mellor. And, really, wouldn’t that be a capital film. Sequels, spinoffs and reinterpretations are a big no-no right now, cinematically speaking. The thing is, the reason those end up doing so poorly is because there’s really nothing new to be seen. Same story, different protagonist. Sure, the convoluted action flick might be a moderate smash at the box-office…but it’s more than just about the money. Right?

It would be a whole other kind of An Education if we could see Marjorie as a young Briton in the forties. I did say she reminded me a bit of a Helen who’d taken the high road. Thus, who better than the actual Helen to play her? Rosamund Pike has been doing too many thankless supporting roles. She needs a leading role worthy of her brilliance. Bring back Lone Scherfig to direct and Nick Hornby to write the script and we could have a winner on her hands. How did Marjorie end up with her stick-in-the-mud husband? Granted, it’s anyone’s guess if Jack was always so uptight. And who to cast as the resident fuddy-duddy? Matthew McFayden, no less. He’s not as deliciously histrionic as Alfred Molina (who is?), but he’s a “safe” choice – the type of affable man who feels he is not good enough for his wife. Am I the only one getting the feeling that Mr. Mellor is well aware that he’s a lucky bastard for catching Marjorie? I love that moment near the beginning where Jenny’s asking for directions to St. John’s Smith Square and Marjorie says, “It’s in Westminster. Just around the corner from the Abbey.” Jack does the slightest of double takes, “How d’you know that?” Marjorie is unaffected, “I had a life before we were married, you know.” No passion – just a fact. Cara Seymour is just perfect in her role…and that only gets me wondering more, was Marjorie a prominent socialite?
I don’t quite know what the plot would focus on. Was she born in Twickenham? Did she always want to be a dutiful housewife? Perhaps she was a nurse during the war. Or perhaps she had hopes of becoming an actress in her day that were thwarted by a love affair with the amicable, if somewhat trite, Jack. Yes, my brain’s just hopping around but that’s one spinoff I’d pay good money to see.

Am I barking up the wrong tree, or would your interest be piqued at the idea of a prequel for Marjorie Mellor? Rosamund and Matthew…or someone else?

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