Showing posts with label Idina Menzel. Show all posts
Showing posts with label Idina Menzel. Show all posts

Wednesday, 19 January 2011

Regardless of if my appreciation for Glee ever peters out (which at this point seems unlikely) I’ll always be especially grateful to them for two things. One, was ensuring that after the untimely cancellation of Pushing Daisies allowing Kristin Chenoweth to return to the tube to show us just why she’s so brilliant – and the second is bringing Idina Menzel to the small screen in a role which managed to show that she was as good an actor as a singer. In its ideal form Glee is the sort of veritable playground for any Broadway actor and although guest stars don’t definitively improve the quality of the episodes – I’d love if this quintet of ladies from the Great White Way would get featured on Glee (I’ve featured some of them before in my original From Stage to Screen Post).

Jane Krakowski
 I suppose, in reality, there’s little chance of this coming to fruition since Krakowski is continuing her hilarious stint on 30 Rock where she continues to be the best-in-show. Still, the very basics of Glee seem perfect for Krakowski’s own brand of strange and sultry humour. With her very blonde hair she seems like a perfect candidate for some subplot involving Sam or Quinn, but she’s probably too old to be Quinn’s sister and unless Sam was a teenage birth she’s probably too young for that – although, who knows what they’d decide to do. I’ll always be grateful to Tina Fey and company for allowing Jane to actually perform somewhat regularly on the show, so it’s not like she’s being robbed of the chance to showcase her talent – but you can’t deny that her brand of crazy would work perfectly at McKinley High.
                               
Audra McDonald
As good an actor as Audra McDonald is, her voice is just sublime. It’s almost offensive that she’s never done any singing on any television show – Private Practice doesn’t deserve her most of the times (not that they deserve Kate Walsh, either – but I digress). I’m sort of stumped as to how Audra could fit into the fabric of Glee. If it weren’t for Cheyenne Jackson (who hasn’t even had a significant plot-point thus far) I’d think she’d be a great successor to Idina’s Shelby – original director of Vocal Adrenaline. What’s so weird about her is that you don’t think she’s a natural comedienne (she’s probably not) – but she’ll always surprise you in dramatic moments with some weird choices that always end up being humorous. I don’t know how, but I want her on Glee.

Donna Murphy
If Tangled was good for anything, other than the occasional vaguely entertaining tune from Alan Menken, it was reminding me how great Donna Murphy is. It’s probably because I associate her most with the very dour Passion that I forget that she’s a great comedienne (which manages to emerge even on an album recording of Wonderful Town). It’s that broad comedic talent of hers that would make her a perfect choice for a nemesis to Sue. Really, there’s no telling how they’d get her to sing but if there’s anyone that can take down Jane Lynch it’d be Murphy.

Bernadette Peters
Honestly, I’m sort of surprised she hasn’t turned up on Glee as yet. Before the idea of Carol Burnett (which turned into perfection) was pitched I’d contemplated the idea of Peters being Sue’s mother. Now, I’m sort of stumped but whatever role they do give her she’d be remarkable. With all these children in the club, at least one of them has to have a crazy – potentially boozy – grandmother. It’d be a stroke of genius if they get Peters to tag along on an episode with Chenoweth (I still think the two are reincarnations of the other). Perhaps the idea of Peters as April’s own boozy mother would be a sort of perfect idea. That I’d love to see.

Sara Ramirez

Two words: Santana’s sister. Sara Ramirez is brilliant, and she’s constantly doing good things with occasionally middling writing on Grey’s Anatomy (I’m still a vague fan of the show, truth be told). It’s watching the clips of her in Spamalot that make me realise just how vociferous and passionate she can be – they always make Callie a beat too sedate. Wouldn’t it be great seeing her play opposite Glee’s own resident crazy Latina? I can already imagine her – in typical Santana fashion – trying to seduce Will Schuster.
                              
Which of these ladies would you love most to appear for a guest stint on Glee?

Saturday, 4 September 2010

The Glee MEME gets personal.
Honestly, I’ve turned into a huge cry-baby at the movies (and TV) recently. I think all the years of ignoring my morality and are finally catching up with me. Sigh. Honestly, I sort of had a heavy heart throughout the back half of “Dream On”. Maybe it was Josh Whedon’s brilliant directing – where the f*** was his Emmy nod? WTF? I digress…I don’t think anyone could not lose the message there, it was honed it, but it wasn’t clichéd. Everyone’s got that dream, and we all won’t see them come true. I know people hate how Glee tends to end with some nice ribbon on top to close the episodes with, but I kind of like that. The thing is, the ribbon isn’t always pleasant especially here. “Dream On” has Neil Patrick Harris being brilliantly funny but it sears in the quieter moments like Idina and Lea teaming up for a number from “Les Miz” or Jenna and Harry tapping and Artie singing “Dream A Little Dream”. It’s all most profound and it’s not just manipulatively sad…but it’s oh so poignant (even if Mark and Dianna get one line each. Ugh.)
And then of course, there’s the finale. Emma’s odd confrontation with Figgins was so bizarre and yet fitting. Glee’s always good at the teacher / student dynamic (even if Will will always continue his nepotism for Finn) and “To Sir, With Love” was just that moving (Santana crying was very WTF – in a good way) – even Sue was moved. And she’s Ajax!
              
Has Glee ever hit you with any emotional bit?

Saturday, 28 August 2010

The Glee MEME continues…I’m choosing more than one. I can’t commit.
              
I like Idina from listening to her on “Rent”, “The Wild Party” and “Wicked” soundtracks – but she has a penchant for vocal overexertion – an apparent inability to tone down. I don’t know if it’s her age, or the character but she’s flawless on Glee (rewatching the back 9 last week I feel like a fool for leaving her off my guest list. She’d easily make the top 5. Ugh.) I’m still mostly apathetic to Lady Gaga but the rendition of “Poker Face” between Idina and Lea is all sorts of brilliant. In some ways it’s a master class in singing. And the moment is just bloody brilliant. Ironically, perhaps, another duet that always gets me smiling is Lea’s pairing with the other “Wicked” cast member – Kristin Chenoweth. “Maybe This Time” works surprisingly well as a duet and though my allegiance is with Kristin (naturally) it’s never one-sided. April is so much of a cautionary tale for Lea and having them pair up for that number is not incidental. They don’t get to sing to each other like her and Idina, but it’s still lovely.
             
Matthew Morisson continues to be woefully underrated, he’s good…but he’s even better when he gets a talented performer to duet with. “Dream On” and “Fire” could go down in history. On the former the pairing with NPH is brilliant to watch (even if I wish they’d song “The Confrontation” from Les Miserables. And talking about “Fire” Kristin Chenoweth brings out the best in Morrison on the whole (those two have wicked chemistry) – even in the non-singing parts. They work great together.
I’d like to make mention of Morrison’s final song of the season – “Somewhere Over the Rainbow” with Puck is great. I’ll always have allegiance to the original arrangement, but this one works just as well.

Friday, 27 August 2010

I probably love Glee so much because I’m a major music buff (inherited from my father who’s an actual musician). The MEME continues.

I don’t like Neil Diamond, I appreciate his music but he tends to annoy me – it’s probably years of seeing his Christmas Special more than thrice a year every year for most of my life. Still, Noah Salling singing “Sweet Caroline” was a nice surprise. I don’t even have any significant affection for the song, but it worked in more ways than one – and it’s nice to hear him sing alone, that’s rare. It’s never happened since (go figure). 

Speaking of Jewish greatness, Lea Michele’s “Don’t Rain On My Parade” is pure brilliance. She’s not Barbra, but she’s not supposed to be. The reason the covers on Glee manage to work is because they’re never attempting to copy the original. It’s her “moment” and it works because Lea completely delivers. She sings and she acts at the same time…that’s rare with young performers

[On a side note on the topic of Barbra and Funny Girl though, I’d call Idina’s rendition of Funny Girl better than Barbra (insert offended gasp). I’ve never really felt the song fit the musical – it was written specifically for the film. But Idina sort of rocked it with her “Theatricality” even if it doesn’t make my top 3.]

In the end I turn to another guest for my favourite solo though. There’s something moving about the lyrics for “Home” from The Wiz and though the choir provides back up – it’s a solo and one that impresses on all counts. It’s a moving moment, for April and because Glee loves to get moralistic on us it’s a given that they’re sending us a message. But I really don’t care Living here in this brand new world might be a fantasy….but it’s taught me too love, so it’s real to me.” Damn, those lyrics are incredibly saccharine and NOT badass, but damn if they aren’t still awesome. It works…it really really does.

Wednesday, 6 May 2009

So I was looking at the legend Barbra Streisand in Funny Girl the other day and it occurred to me that she got her start acting on Broadway, and although she is regarded more as a singer than an actress, she has been successful in making the transition from stage to screen quite well along with another legend of her time the luminous Julie Andrews. So I compiled a list of 13 Broadway gems I would like to see make it big on the screen. I had to put some restrictions on the list because you’d have probably seen Bernadette Peters or maybe Chita Viera make the list. I mean, why hasn’t Bernadette Peters had a successful movie career? I’ll assume she doesn’t want one… not that that’s any consolation, but I digress. These women are too old (I know I lack tact) to break it into the business now. Anyhow, here’s the list continuing with my trend of Nines…

Sutton Foster (Thoroughly Modern Millie, Little Women, The Drowsy Chaperone)



She’s talented and she has unique features. That sounds like Ms. Streisand actually. And she has a weird name – it seems like that is a status quo for actresses these days.

Casted Roles She Could Have Done: Poppy in Happy Go Lucky
Don’t ask why. I just feel she would have been really good, granted she is not British – but nonetheless. I feel this would have been right up her alley.

Un-casted Roles She Could Do: Although I hate having Broadway stars come to big screen for only musical roles I will say I would love to see her do Clara from Stephen Sondheim’s Tony winning Passion. She has the chops, it’s a siren role and she goes nude. If that doesn’t get her an Oscar… I'd choose her for the Lead - Fosca, but I think she's too young.


Anika Noni Rose (Cat on a Hot Tin Roof, Caroline, Or Change)



She was introduced to mainstream audiences in Dreamgirls, and to be honest – if they really wanted to give someone in that talented ensemble an Oscar – why not give it to her? She was head and shoulders above Eddie Murphy and Jennifer Hudson. She’s in her mid thirties – which she doesn’t look like – and she has a sweet personality. Where are the offers?

Casted Roles She Could Have Done: Queenie in The Curious Case of Benjamin Button
Granted Taraji owned this role, but I think she would (like Taraji) have had that innate comic timing necessary for this role. Oh, God, I can see it now!

Un-casted Roles She Could Do: Carmen Jones in Carmen Jones
Not sure if she has the right look for the movie, but damn can she sing. That’s why I want her to do a musical. The problem with her (and Beyonce to an extent) in Dreamgirls was that they had to undersing themselves, so we never saw the power she had. She can knock it out of the ballpark and I really want to see her do a movie musical.


Sheri Rene Scott (Aida, Dirty Rotten Scoundrels)



Casted Roles She Could Have Done: Ulla in The Producers
Uma Thurman was not the problem with this movie – it just wasn’t the type of film meant to be made into a movie. Sheri’s strong point is her sweet voice and it would have been perfect for this role.

Un-casted Roles She Could Do:
Adelaide in Guys & Dolls
She’d be good at this. Enough said.


Lea Michele (Spring Awakening, Les Miserables)




Doesn’t she look like Idina Menzel? She has a sweet voice, but I think she needs to vere away from musical roles until she is older. I don’t want her to end up type-casted.

Casted Roles She Could Have Done:
Johanna in Sweeney Todd
A musical yes, but this could have been good.

Un-casted Roles She Could Do: Fanny in Mansfield Park
This may be a bit too generic. I’m not sure what role she could do. I do not love this Jane Austen novel – but it could make a good film adaptation in the vein of Joe Wright’s Pride & Prejudice. Can she manage an English accent? Or maybe Jane Eyre.


Laura Benanti (Into the Woods, Gypsy)



Casted Roles She Could Have Done: Cristine in The Phantom of the Opera
Why exactly was the film version of this long running musical such a flop? Even though it had Miranda Richardson in it? I don’t know. I mean the bulk of the problem was not Emmy Rossum, but she wasn’t that much help either. And Laura Benanti has the voice of an angel.

Un-casted Roles She Could Do: Laura in The Glass Menagerie
These are two vastly dissimilar roles and I suppose she may be too old, but I always felt that she had the look for Laura. And considering that this is a Tennessee Williams play – there is so much that lends itself to a cinematic adaptation. Of course you’d have to have a good supporting cast – Susan Sarandon perhaps as her mother. I don’t know who’d play Tom… but it could work.


Jane Krakowski (Grand Hotel, Nine)






Do any of you look at 30 Rock? I don’t like it. At least that’s what I tell myself every Thursday while I look at it. Still, I think Jane Krakowski is the standout in the cast. She has perfect comedict timing and I am appalled at the Emmy Snubs she has received. They certainly need to apologise with a nomination and perhaps a win for her this season. Krakowski earned her Tony for her role in Yeston’s Nine.

Casted Roles She Could Have Done: Roxie Hart in Chicago
This is really a no brainer. As good as Renee Zellweger was Jane would have been superb. Of course having a Broadway star that was not bankable would have detracted from the entire point of Rob Marshall’s vision. I could also have seen her in the Naomi Watts role in King Kong – if only for the look. Still she would have killed as Roxie.

Un-casted Roles She Could Do: I’m actually stumped here… which probably means I have no imagination. I think more than Chenoweth Jane needs a project writer for her. But if I had to pick something I think Bernadette Peter’s Tony winning musical Song & Dance would be great for Jane. It’s not uber popular so it wouldn’t have tons of hype to live up to and what’s more it has Tell Me On A Sunday which (despite being a faithful Sondheim lover) is my second favourite Webber ballad (behind Memory of course).


Idina Menzel (Rent, Wicked!)





I like Idina Menzel. Her fans seem a bit rabid sometimes, but she is a great singer and wonderful actress and very sexy too, so there! She looks like a really gorgeous version of Nelly Furtado. She’s another surprising person that hasn’t done well in film. She was good in Enchanted.

Casted Roles She Could Have Done: Vivian in Pretty Women
This would be killer. I could just see her as the stripper – okay obviously she couldn’t have done it then, she would have been a child, but it could have / would have been great. Okay, maybe I cheated.

Un-casted Roles She Could Do:
I don’t know if she can do Shakespeare (it’s not for everyone), but I would love to see her do Katharine in The Taming of the Shrew. I think that sort of shrewish character that needs to be tamed is her specialty – only now I have to think which male actor could tame her… I’m tempted to think Peter Sarasgard or maybe Billy Crudup… She’ll upstage whoever, it doesn’t matter.


Audra McDonald (110 in the Shade, Master Class, A Raisin in the Sun)




Oh how I love this woman – she has Four Tony Awards and an Emmy, so you know she has talent. Right now she’s starring in Private Practice which I hope will make her popular with audiences. She needs a big screen career… and fast.

Casted Roles She Could Have Done: Tatiana Rusesabagina in Hotel Rwanda
Nothing less for Audra than Sophie Okenodo’s Oscar nominated turn in this wonderful film. She has the dramatic chops to pull it off, although I do wonder what her accent would be like… She’d have good chemistry with Don Cheadle though.

Un-casted Roles She Could Do:
Any of the leads in God of Carnage
This play is currently on Broadway with Hope Davis and the delightful Marcia Gay Harden. I’d like to see Audra take on either of these roles – although Marcia’s role seems more up her alley. I have not seen the original, but I have read snippets of the script. Of course if it comes to screen the original cast members are popular enough to get the roles. Still, I’d like to see Audra in this. A lot.


Kristin Chenoweth (Candide, You’re A Good Man, Charlie Brown, Wicked!)



I love this woman. I still find it shocking to believe that she is forty years old, and I will forever resent ABC (otherwise my favourite network) for cancelling Pushing Daisies, thereby stopping my weekly dose of Cheno. I think the reason it’s hard for her to get roles is because of her height (she’s a few inches below 5 feet), and her nasally voice, but like any actress she can change her voice. Apparently Wicked! will be made into a film, but I suppose she will be too old, and then they’ll probably recast it with stars.

Casted Roles She Could Have Done: Giselle in Enchanted
I think this would have been an obvious choice – and not because of her at the Oscars – but it is so reminiscent of her Tony Nominated role in Wicked! She would have rocked this, but Amy Adams was good too.

Un-casted Roles She Could Do:
The Muse in Pygmalion
Not as a musical – or adaptation of My Fair Lady, but an actual adaptation of the original play. I think Cheno would be great, and if they do it as a comedy they could write her height (or lack thereof) into the script. It could be genius – cast Robert Downey Jr. or Johnny Depp as the male lead and get Lasse Hallestrome to direct.


Which actress could have a big film career?

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